Some black and gay memoirists, by contrast, have good reason to recall their suburban hometowns as isolating and threat-filled. Suburban memoirs less frequently tell redemptive stories than they do lapsarian ones. For sure, an Edenic paradigm has been a common feature of life writing since childhood began to receive extensive attention by authors in the eighteenth century.
The clean, open spaces of the modern suburban home held a similar promise. We saw promise in the clean possibilities that arose once every blossom had been erased, never to return. He is shown to have frequently taken out his frustration on members of his family and on the very structure of his suburban home. But if the divergent trajectories of blue sky optimism and the plight of the organisation man seems a straightforward, predictable development, Beers further complicates matters by relating the effects of, for instance, the paradigm shift caused by the personal computer revolution.
From the s a rival technological and corporate culture took hold of the valley, which was of course quickly renamed in its honour. Ultimately, even his frustration with his role as an organisation man is recognised as another facet of his privilege, as his malign behaviour in the home had the effect of warding his children off from joining an industry with bleak prospects. However, Beers cannot help but return: his parents, after all, still live in the same albeit modified and updated suburban house.
Their neighbourhood is a landscape that embodies both stasis and change.
Beers notes how some things from the post-war years, however, remain unchanged. Yet it is also perceptibly nostalgic for the original, now dissipated, blue sky dream, that commitment to a shared vision of a singular trajectory.
Like most suburban memoirs, Black Dog of Fate and Blue Sky Dream attempt to tell shared stories, to mediate between individual and collective experiences of particular places across time. Of course, all memoir does this to a certain degree. Every life involves, and is shaped by, networks of relations with other people and places; any narrative of an individual life will likely make little sense if it fails to account for some of these interactions.
Suburban memoir, however, is defined by place and time, in terms of both setting and narrative trajectory. In order to tell its collective story, Blue Sky Dream employs, in a self-conscious fashion, a different mode: autoethnography. Beers goes on to use the latter term, which is frequently prefixed by the first-person plural possessive pronoun, throughout the book to describe the inhabitants of the aerospace suburbs. Beers evidently considers the conceit an appropriate defamiliarising strategy. Beers once belonged to the blue sky tribe; indeed, as a child he represented its continuation.
It does not, for example, draw on a sufficiently large and therefore representative sample of cases. He also repeatedly references official opinion surveys. Thus Waldie has at his disposal a wealth of biographical material about his town. Nevertheless, Waldie shares — and his memoir is shaped by — the same motivations as prosopography: the desire to register and evaluate patterns across ordinary lives, and to consider how these patterns relate to broader historical processes.
Additionally, Waldie resists letting his own biography speak for the suburb; the memoir is characterised by a continual turning away from the details of his own life — which he describes at different moments in the first, second and third person — to the habits and stories of his fellow residents. In he had a portfolio of pictures published in Fortune magazine. In , he had a one-man museum exhibition show at the George Eastman House, curated by the photographic historian Beaumont Newhall, and The New York Times Magazine published a portfolio of his work.
Martha A. Seen from above, the grid is beautiful and terrible. The sunset is pouring tarry shadows across the barren backyards of not-yet-homes. Their frail stucco walls are blisteringly white in contrast. Typically, these iterations are meant to inspire contempt or dread. Lewis Mumford appears 28 D. He also alludes to subsequent social changes, for instance, the maturation and departure of the baby-boom generation, and the Hispanicisation of Lakewood. He devotes even more time to situating 32 Mumford, The City in History, p.
But Waldie is not only attuned to these broader histories and transformations; he also insistently humanises Lakewood by narrating events, lives and landscapes at ground level and at walking pace. A life-long eye condition has meant Waldie has never been able to drive; he has always walked to work from the same tract house in which he grew up. While Waldie accuses Garnett of having depicted only lifeless patterns, lattices of intersecting streets and empty houses, he nevertheless reiterates the same structures emphasised by the photographer.
While Garnett fails to witness character and place, Waldie still sees intersections. Thus Holy Land is a narrative that does not simply contest ingrained prejudices about the suburbs but additionally attempts to explicate, and mediate between, the polarities of spatialized experience — the structural and the personal, the historical and the everyday, the static and the shifting — without necessarily seeking some final resolution between them. Steven F. Rendall Berkeley: University of California Press, , p. Campbell argues that it is through a panoply 37 Ibid. De Certeau also invokes Icarus in his discussion of the outlook from the World Trade Center; his descent — and the transition from disembodied sight to blind body — is characterised as an Icarian fall.
But it is also a tactic which bequeaths Lakewood a certain indeterminacy, which may further help to resist the persistent prejudices of the Icarian perspective. This indetermination is produced by the paradoxical operation of situating abstraction. Some of these histories are haunting, or perhaps better put, contaminating, since their residue is less spectral than corporeal: Icarus may see only cadavers, but they are rising from the soil.
About this apparent cross-contamination of imagery Waldie is ambivalent. The ambivalence of these structures, for Waldie, is what produces a poetic geography; ambivalence is a sign of their very habitability, and also their interconnectedness with other places and histories. But if the text looks like a site, the reverse is also true. It is, further, an expression suggestive of the imbricatedness of lives, histories and habitats. The implication would appear to be that while suburbs may be highly ordered, suburban lives are not entirely uniform. In section , Waldie declares: The critics of suburbs say that you and I live narrow lives.
I agree. My life is narrow. From one perspective or another, all our lives are narrow. Only when lives are placed side by side do they seem larger. Throughout Holy Land, Waldie intersperses personal memories with accounts of other Lakewood residents. Their anonymization would seem to perpetuate abstraction, a distancing from lived experience. But the stories of Mrs. A, Mr. Not only civil rights activists have drawn inspiration from its proclamation of inalienale rights, but individuals decrying governmental abuses have also turned for support to the document's enumeration of British 'tyranny.
Alexander Tsesis is associate professor of law at Loyola University--Chicago. He has written three previous books. Americans have always thirsted for sagas of speaking truth to power and prevailing. However, writes the author, Lima's story "deviated from the usual sad narrative of other Midwest plant closures and began to assume a drama of its own.
Bush's narrative is the stuff of fiction, with "an unlikely cast of characters -- an uncommonly stubborn set of civic leaders, a conservative local newspaper publisher, and the city's determined and progressive mayor. He describes how "this collection of individuals led a resistant multinational corporation to a financial deal it could not refuse, located an acceptable buyer for the refinery, and saved not only a sizeable share of the city's financial foundation but also the community's identity and self-respect.
Perry Bush teaches history at Bluffton University and is a local political activist.
He has a Ph. Index, selected bibliography, no notes or illustrations. What would a book on salesmanship have to do with either of us? Remember when you persuaded your girlfriend to leave her boyfriend for you?
Or convincing your boss you deserved a raise? Or getting your child to finish her dinner? Who says you're not a salesman?
Listening is selling's golden rule. It's about what the customer wants, not what you have. Once you've made your pitch, shut up. Don't talk yourself out of a close. Have your customer's interests at heart and you can sell him anything. All these aphorisms are derivations of the basic advice to listen more than you talk. But contained in that advice is one of the biggest challenges in sales. More than how to prospect, seduce, or close, it is: How can you realistically claim to be serving a customer's best interests when at least half your brain is calculating how to extract the most money possible for what you are providing?
In this riveting narrative, Topping chronicles his extraordinary experiences covering the East-West struggle in Asia and Eastern Europe from into the s, taking us beyond conventional historical accounts to provide a fresh, first-hand perspective on American triumphs and defeats during the Cold War era. Seymour Topping retired from the New York Times in after service as foreign editor and managing editor for ten years.
He is now emeritus professor of international journalism at Columbia University. To their chagrin, Einstein was succeeding in radically revising the scientific community's understanding of space, time, matter, energy, motion, and gravitation. Actually, Gimbel argues "that we must take seriously the possibility that the Nazis were in some measure correct," as he probes Einstein's work "to explore how beliefs, background, and environment may -- or may not -- have influenced the work of the scientist.
Stephen Gimbel is chair of the Department of Philosophy at Gettysburg College and has written three previous books. An American parlor exercise, passed down from generation to generation asks: Where were you when you learned: Of the bombing of Pearl Harbor, of JFK's assassination, of Elvis's death? The small number of subjects used in such a game shows the prominence of the individual or event mentioned. In her latest book, historian Lois Banner fleshes out the brief but iconic life of a woman she calls "a powerful star and a childlike waif; a joyful, irreverent party girl with a deeply spiritual side; a superb friend and a narcissist; a dumb blonde and an intellectual.
In Kodak Elegy: A Cold War Childhood (, Syracuse University Press), Decker recollects the blithe and troubled scenes of America's. Kodak Elegy book. Read 3 reviews from the world's largest community for readers. What was it like to grow up as the son of a Kodak engineer during the co .
Banner revisits "Marilyn's childhood foster homes, her sexual abuse, her multiple marriages and affairs, and her untimely death at age 36," lending "nuance and authoritative detail to sketchy rumors and whispered legends about a remarkable life and honors, as never before, the complexity of a truly national subject. Lois Banner is a founder of the field of women's history and has written 10 books, some of them also using Marilyn Monroe as a subject. She teaches history and gender studies at USC. Press '12, pages, ASIN Johnson, entitled Invalid Corps. Now, in the year of the Diamond Jubilee and the London Olympics, he sets out to describe what the Coalition's altogether different approach to economic mismanagement and civic irresponsibility is doing to the places where the British live.
Everywhere outside the unreal Southeast, the building has stopped in towns and cities, which languish as they wait for the next bout of self-defeating austerity. He writes regularly on the political aesthetics of architecture, urbanism and popular culture. This revisionist take on the days following the end of World War II in Europe argues that memories of the era as a time of joyous celebration have obliterated the reality of anarchy and civil war that prevailed. Denial that the war was actually over prevailed in many places, and "Germans and colloaborators everywhere were rounded up, tormented, and summarily executed.
Concentration camps were reopened and filled with new victims who were reopened and filled with new victims who were tortured and starved and violent Anti-Semitism was reborn, sparking murders and new pograms across Europe. Index, no bibliography or illustrations, notes follow each essay. It would be all too easy to assume that the war was a key stepping stone to the modern civil rights movement. But Fog of War shows that in reality the momentum for civil rights was not so clear cut, with activists facing setbacks as well as successes and their opponents finding ways to establish more rigid defenses for segregation.
This collection is a timely reconsideration of the intersection between two of the dominant events of twentieth-century American history, the upheaval wrought by the Second World War, and the social revolution brought about by the African American struggle for equality. Kevin M.
Kruse teaches history at Princeton University and has written a book about the development of modern conservatism. Stephen Tuck teaches American history at the University of Oxford and has written a book about the black freedom struggle. Index, no bibliography, glossary, notes, unillustrated.
Vienna historian Doron Rabinovici asks the question that hangs over this narrative: "How could people be forced to cooperate in their own destruction? The bottom line: "Faced with the stark choice of death or cooperation, many chose to cooperate with the authorities in the hope that their actions might turn out to be the lesser evil. Ill-prepared to fight Great Britain, then the world's most powerful nation, the United States struggled through more than three years of conflict. In the end, the young republic emerged more unified, with new stature on the world stage.
The engaging narrative comes to life with more than a hundred vivid illustrations. The Star-Spangled Banner National Historic Trail traces the original routes of the Americans and the British and recounts the dramatic events that produced America's national anthem and its iconic flag. In Full Glory Reflected is an enchanting invitation to travel the trail and discover the amazing world of the War of in the Chesapeake. Burt Kummerow helped found the Living History Movement and has been a writer, public speaker, public TV producer, museum director, and rock musician. Index, notes and sources, unillustrated.
It must be vestiges of the '60s in my blood, but when I picked up this book, I half-expected to read about the release from prison of the Chicago 7. But instead, we get a mystery story:. But the truth is scientists will do anything -- take drugs, follow mystical visions, lie, and even cheat -- to make a discovery. So if you thought research scientists were straight-arrow types, think again.
Brooks probes 'some of the greatest scientific breakthroughs and shows that many rules were broken, while others were meant to be broken. And author Michael Brooks knows whereof he speaks. The author of 13 Things That Don't Make Sense, he has a doctorate in quantum physics and has lectured and written widely.
He is currently a consultant at New Scientist and writes a weekly column for the New Statesman. Homo Sapiens can't seem to sit still. A year ago, historian David McCullough, in The Greater Journey, was telling us about famed Americans who traveled abroad -- largely to Paris -- to advance careers ranging from telegraphy to art and music in the 19th century. Now, author Peter Pagnamenta reminds us that in that same era, steamships ran both ways, transporting British aristocracy to the "great American wilderness to find adventure and fulfillment," bringing along "their dogs, sporting guns, valets, and all the attitudes and prejudices of their class.
Pagnamenta describes vividly "how the British grandees behaved -- and what the American fur traders, hunting guides, and outfitters made of them as they crossed the country to see the Indians and hunt buffalo and bears He lives in London. Multiple archaeological excavations have revealed details about the lives of Jefferson, subsequent owners and their families, and the enslaved individuals and their descendants who labored at the site. Bittersweet Texas Memoirs of a Horsewoman. Executive Officer Sally Thompson.
Iris Maria Goebel. Reluctant Neighbors. Oyster Stew. Richard E Shearer. Justice or Just Us Glenn Arthur Davis. An Abridged Portrait A Biography. The Cherry That Wept. MR Thomas Kranjcevich. Memories of a Catholic Boyhood Fall River. Children Molesting Children! The Hidden Scroll. Joshohn Michaelson. Beyond Buntyn. Memoirs of Africa, to Delores J Dillard. W Mark Bruneau Jr. Grandmother Mayer. I Gotta Be Me a Original. Edith Koontz Cullop. Living Life Like Scott. Wendy Reed Rebecca Dimock.
Breaking the Gaze. David Meade Betts. Is God Dreaming or Am I? Incidents in the Life of a Slave Girl.