Forged from folklore and authentic history--the greatest horror story ever told.
Calendar of events plotted against the quarters of the moon. Filmography to , and much more. The definitive Dracula work, packed with eerie and exciting arcana on the most frightening legendary figure ever.
A portion of your purchase of this book will be donated to non-profit organizations. New Releases. Published by Ballantine Books Temporarily Out of Stock Online Please check back later for updated availability. Weight: 1 Language: English. Mayfield Pub Co, Average Review.
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Stock Image. In the late fall of , I reread Dracula for the first time since I had encountered it as teenager thumbing through a bent Dover Thrift copy which I digested in a matter of weeks before deciding I much preferred the movies. Rereading the story with the advantage of several years of experience, however, I found myself newly entranced by its narrative and became a rather zealous fan of Dracula and its author. I spent the next year reading through a great deal of Bram Stoker's other novels and stories, eager to find out more about the creative life of the man who had penned my new favorite book.
Cause for international celebration―the most important and complete edition of Dracula in decades. In his first work since his best-selling The New Annotated. The definitive source for studying Dracula. I would have given it 5 stars had the annotator, Leonard Wolf, been a tad less pedantic. If you like the original Bram Stoker classic novel as much as I do, then having "The Annotated Dracula" will enhance your reading.
Being a child of the digital age, I appended notes to my text file of Dracula every time I found an interesting similarity between one of Stoker's works and the text, and in doing so, I came to accumulate a large enough body of observations that I thought it not a bad idea to just keep on annotating whatever struck my fancy. Over time, the project grew larger and larger in scope, and my friends, family, and acquaintances some of whom were rather tired of hearing about Dracula at this point suggested that I ought put it somewhere where the rest of the world might enjoy it.
The result is the website you see before you. Or did his hypnotic powers sort out his victims at long range?
Billington, who took charge of the boxes of earth from the ill-fated ship Demeter. Another example of a not-so-mysterious mystery occurs in Ch. Finally, one of my favorite minor moments in Dracula occurs in Ch.
Le Fanu posits the rule that a vampire assuming a pseudonym must choose a name that is an anagram of their real name; thus the vampire Millarca had the pseudonyms Carmilla and Mircalla. The chapter illustrations by Christopher Bing are by and large excellent, done in a crisp style resembling engravings or finely detailed woodcuts. These are the most effective. For example, the portrait of Dracula on the frontispiece depicts him as clean-shaven while the text describes him as mustachioed and occasionally bearded; moreover, the illustration of Dracula in Ch.
Bing also renders the three vampire brides in Ch. Such oversights are unfortunate in a book that aims at being the definitive edition of Dracula. This extraordinary alchemical tale inspired the score from which Francis Ford Coppola conducts his ensemble, and like an operatio [ sic ] dream the musicality of the cinematic performance resonates with an authenticity at once horrific and revelatory.