Write a sonnet inspired by another sonnet. Write a sonnet inspired by a piece of writing that is not a sonnet. Write a poem inspired by a sonnet that is not a sonnet. Invent a new form that somehow begins with reading or writing a sonnet, then morphs into something else. Write a mock historical sonnet, a sonnet you are writing as if some other living or dead person has written it. Experiment with voice, tone, assuming authority, meekness, antiquated or futuristic speech. How do you imagine someone else would write your poem? Write a homophonic translation in the form of a sonnet.
Experiment with online translation dictionaries such as babblefish.
[ii] Her poem is a distinctively American sonnet. It is not just an iconic concrete poem, but also a poetic emblem of a national identity. The Sonnet as Visual Poetry: Italics in 'After-Thought'. It will easily be perceived that the only part of this Sonnet which is of any value is the lines printed in Italics.
Translate a sonnet as a commentary on a sonnet. In other words, read a sonnet or any text, then write your own version of the thrust or intent of the poem.
Using poetry4kids. Perloff, Marjorie. Our third and final quatrain uses all of its four lines to expand a single metaphor. Quasha, George, and Jerome Rothenberg, eds. Born in Lisbon, Portugal, in , Fernando Aguiar has dedicated his career to experimental and visual poetry, using media such as photography, painting, and other materials.
This can be done with poems you like or dislike. Don't think of this as paraphrasing but another way of reading. And also possibly a way to reversion, or re-vision, responding in writing to a poem. Write in someone else's voice, kids' voices, borrow from children's iterature and media, or write in overheard language, particular professional language, code, or character.
Be someone else for the duration of fourteen lines. Be anyone for the sheer liberation of it and see what happens. Write a collaged sonnet composed of one or various found texts.
Experiment with cutting up text, picking words or phrases at random from a series of books, limiting yourself to a limited found vocabulary, and so on. Place the books in a stack. Systematically open each book and randomly point to a sentence or phrase. Transcribe one sentence or phrase from each book. Then translate your found sonnet by writing a line responding to each found line or phrase.
Include some of the text you have found in your poem. Or practice getting lost in the accidental relationship created by the juxtaposition between the lines. It works in bookstores, waiting rooms, dumpsters, Goodwill, the street, etc. Enlist a friend to help you rewrite their sonnet and have them rewrite yours. Write a collaborative sonnet.
You can do this in person as an exquisite corpse, via email, voicemail messages, various ways. Write a sonnet in a gallery or museum in response to something you see: art, people, noise, etc.
Intersperse found text—art titles, catalogue copy, segments on the history of art—into your poem. Write a sonnet while doing something else, such as listening to a poetry reading, a concert, watching a dance performance, etc. This can be done while doing dishes, waking up—don't discount any activity as material though writing while driving can be hazardous.
The idea is to allow the outside to be filtered into your work. Experiment by writing while listening to Ted Berrigan read his sonnets online. Explore rich resources for listening to other poets read their work online. Let poetry fill the air while you do other things as a means to inspire. Try listening while not trying to listen. How is this different? How is it different on more than one listening or reading? Write a sonnet that defines your vision of a sonnet. Your definition can include: the purpose of the form, affirmations and prohibitions, a list of reasons to write sonnets, comments on favorite or despised sonneteers, new thoughts on rhyme, meter, lineation, and themes.
Experiment with the number of lines written, implied, missing, added. How does this change the form and the intent of form? Write a sonnet in which each line functions independently, serves as a title for another poem, or refers to another poem or cycle of poems. Write a sonnet that hinges on associations and definitions of one word. Explore word play, various spellings, families of words, etymologies, sound.
Write a sonnet, then write several versions of the same poem from memory. Or rewrite the sonnet as a homophonic translation: from English to English based on sound or to any language you like. Do this collaboratively or independently. Pick a word, a phrase, or a line to repeat through a series of sonnets. Write a sonnet that is a list poem: list of days, list of reasons, calendar, list of favorite or most despised something, etc.
Write a sonnet or a series of sonnets using the daily news print, Internet, radio as source material. Write a commentary on a commentary. A response to a news flash or editorial.
Consider how poetry is legislation or propaganda. Rewrite an article in the form of a sonnet or series of sonnets.
Write a sonnet over and over again in various styles such as in Queneau's Exercises in Style. Write a sonnet in love with numbers. Explore the number fourteen, equations, counting, numbers of letters, or the qualities you associate with numbers, significant historical years, sums, numerical questions. Create a poem by mishearing or misreading. This poetic form was established simultaneously in Germany and Brazil in the mids, and remains a relatively modern style. Menu Dictionary. Everything After Z by Dictionary.
Villanelle The villanelle has humble origins as a rustic Italian song, but over the past few centuries it has developed into a highly structured form of poetry.
Elegy The word elegy does not describe the form of a poem, but rather its content. Haiku The Japanese haiku is a rigidly-structured poetic form, consisting of three lines of five, seven, and five syllables. Gnomic verse Gnomic verse may sound silly, but the essence of this type of poetry is to provide serious, meaningful advice.
Limerick The noble stature of the epic could not be more at odds with the nonsense verse the limerick. Palinode You may have heard of the ode , a lyric poem dedicated to an object of admiration or praise. Acrostic Acrostics are words, names, or messages spelled out by particular letters in a series of lines.
Concrete poetry Concrete poetry is a poetic form in which the crux of the poem lies not in its rhythm or theme, but in its visual shape. Popular Now. Sign up for our Newsletter! By learning how to close read a poem you can significantly increase both your understanding and enjoyment of the poem.
You may also increase your ability to write convincingly about the poem. This close read process can also be used on many different verse forms.
This resource first presents the entire sonnet and then presents a close reading of the poem below. Read the sonnet a few times to get a feel for it and then move down to the close reading. Although you may examine the poem on its own terms, realize that it is connected to the other poems in the cycle.
Form is one of the first things you should note about a poem. Here it is easy to see that the poem is fourteen lines long and follows some sort of rhyme scheme which you can see by looking at how the final words in each line. The rhyme of words makes a connection between them. The first phrase in this case a full sentence of the poem flows into the next line of the poem.
How does this disconnection between phrase and line affect the reader? How does it emphasize or change the lines around it?