L'arte riparte dalla spazzatura - Clicca qui. Le tracce sono Maxine e Like a Ship, registrate nel ma mai incluse su album. Tickets - Locarno - Clicca qui. Vite e pellicole - Al via il Biografilm - Vite da film Tantissimi eventi nell'ambito della rassegna dedicata alle vite illustri.
Mostre, incontri, concorsi, focus e, naturalmente, tanto cinema. Lo dicono le 21 anteprime nazionali e internazionali, lo dicono gli ospiti stranieri cui verranno dedicati focus e incontri, lo dice l'altissimo livello della programmazione. Programma completo. Lucio Mazzi - da city. Accanto a questi ed altri personaggi si canta del chinino, unico farmaco per tutti i mali.
Sono storie semplici, pietre rubate alle rovine della tradizione orale, dove emerge in maniera chiara l'amore di questi uomini per la loro terra veneta, su cui tanto hanno faticato con misere retribuzioni. Vino in scatola e amore in latta - di Davide "Saint" Imbrogno - Clicca qui.
rapyzure.tk: Sangue, macerie & vanità (Italian Edition) (): franc' O'brain: Books. Sangue, macerie & vanità (Italian Edition) - Kindle edition by franc'O'brain. Download it once and read it on your Kindle device, PC, phones or tablets.
Non importa quanto siano grandi L'importanza di essere Bob Dylan Diario - Clicca qui. Don't look back de-luxe edition - Clicca qui. Un messaggio da Tito Schipa, Jr. Lampi di Stampa - in cui due capitoli interi, con tantissime clamorose fotografie, sono dedicati al mio "Then an Alley".
Tito Schipa, Jr.
Un esempio: www. Ho sempre tentato di realizzare musica semplice. Pepper" Bruce Springsteen, Pepper rare video - Clicca qui Sgt. Pepper cartoon - Clicca qui. Cat live - Ciao Michele e ciao a tutti della Farm! Accorrete numerosi! Cat" P. Cerco il bootleg Bob Dylan Vol. New York, 29 mag. Lo strumento, secondo quanto riferisce il sito internet della Bbc, si trova in vendita sul sito-mercato di memorabilia Moments in Time per la modica cifra di Il pianoforte, precisa il sito, fu suonato per ore da Lennon il giorno in cui il musicista fu assassinato, l'8 dicembre Ribattezzato dai collaboratori del Record Plant 'The John Lennon Piano', lo strumento sarebbe anche stato utilizzato da Bob Dylan e Pete Townsend e sarebbe poi rimasto nel magazzino del Record Plant dalla chiusura dello studio di registrazione negli anni ' Centro Ripamonti Onlus, centro convenzionato con le ASL per la diagnosi e la riabilitazione dei disturbi del linguaggio e dell'apprendimento.
E' prevista una sottoscrizione di 20 euro a persona, interamente devoluti in beneficenza. A seguire si esibiranno "I Discepoli", direttamente dagli anni '60! Cerco bootleg di Bob Dylan soprattutto quelli degli anni Dal 25 maggio con Repubblica ed Espresso un'antologia d'eccezione dedicata a Dylan - Clicca qui.
Ciao Michele, ho trovato questa intervista sul sito Bob Dylan. Che altri magfarmiani vogliano fare altrettanto? Clicca qui Alla prossima, Stefano C. Ne parleranno, loro due, in un albergo di Londra uno dei prossimi giorni. La Stampa. Se gli avete scritto negli ultimi giorni in relazione al Festival in oggetto riscrivetegli per sicurezza e assicuratevi appunto!
Ecco come l'ex Beatle racconta la nascita e la realizzazione del disco Si parla di contratto pluriennale. Dunque il pluricelebrato e premiato show radiofonico di Bob sembra avere un roseo futuro. In "Chronicles" e "No direction home", invece, hai finalmente parlato del tuo retaggio. Probabilmente l'avrei fatto prima ma semplicemente non ero stato incoraggiato a farlo.
Una canzone te la puoi portare dietro anche quando sei via da casa in giro per il mondo, la puoi canticchiare fra te e te, la puoi ripetere a memoria. E' piccola. Invece con un libro non puoi farlo. E' una cosa che ti porta via un sacco di tempo. Se non ero ispirato a farlo, allora in quei momenti non lo facevo. Mi arrivavano questi lampi davvero grandi. Non ho mai provato a costruire l'ispirazione. E dal modo molto deliberato e metodico con il quale hai imparato la tua arte e ti sei costruito la tua conoscenza.
Non del tipo: "Come sono io? Cosa mi piace? Cosa non mi piace? Non saprei proprio come fare a farne a meno Vedi la tenebra che sta arrivando? Si tratta delle stesse cose viste da angolazioni differenti. Ne abbiamo viste succedere troppe per non capire che le cose vanno in un certo modo, e anche se vengono cambiate, vanno comunque sempre in quel modo.
Non credo di aver mai pensato alle cose in maniera differente da quando sono al mondo, davvero. Una birra pagata agli amici di Maggie's Farm! Allego la locandina e la scaletta. Ciao e grazie Dario Slow Train Band. Clicca sopra! E sembra che tu sia preoccupato a proposito dei tempi che stiamo vivendo e a proposito di quel che possiamo o non possiamo avere imparato come Paese. Una diversa cultura, una diversa architettura, cibo differente.
Potevi attravesare l'America per centinaia di miglia ed era come andare da Stalingrado a Parigi o qualcosa del genere. La gente indossa gli stessi vestiti, mangia lo stesso cibo, pensa le stesse cose. Anche tu provieni da quell'epoca, Jann. Sono sicuro che anche tu le conosci tutte queste cose che sto dicendo. La prima volta che io sono andato a Londra, ed erano i primi anni Sessanta, il '61, avevano ancora le macerie ed i palazzi sventrati dalle bombe di Hitler. Robert Johnson era appena morto, tre anni prima che io nascessi.
Una volta che ti entrava nel sangue non era facile liberartene. E' vero che il Bob Dylan attuale fa un po' paura, vestito come suole fare, con strani completi texani scuri, con i suoi strani baffetti neri e gli occhi sempre piu' penetranti. Ma e' anche vero che il grande cantautore si era recato all'asilo di Calabasas, frequentato dal suo nipotino, solo per intrattenere i piccolini. Cerco disperatamente jewels and binoculars e genuine live Si suppone che la religione sia una forza che serva per fare del bene. Dipende da cosa intendi tu quando parli di religione.
Quante religioni esistono al mondo? Un bel numero, direi. Non rientra in una categoria. E' qualcosa di obliquo.
E' qualcosa di inesprimibile. La degradiamo la fede, se parliamo di religione Quel tipo di linguaggio figurato mi viene naturale come respirare. La mia terminologia viene tutta dalle canzoni folk. E' incastrata nella musica folk di lingua inglese. Solo dagli elementi naturali. Ancora oggi faccio passeggiate a piedi nella foresta, davvero, faccio escursioni ogni giorno.
Sono sempre stato un grande fan di Dylan e lo conosco anche un po' Ho pensato che Dylan avrebbe apprezzato il lavoro, la struttura delle parole e le differenti voci nel dialogo. E' certo che io ho problemi da questo punto di vista Non necessariamente Va meglio per poi andare peggio Ogni singola persona presente? O magari a quella sulla balconata? Conosco un sacco di artisti che dicono di farlo ma non so quanto sia vero. Dylan l'inarrestabile - Clicca qui Il Giornale sul tour di Dylan. Li ho conosciuti tutti e quattro Provo un timore riverenziale nei confronti di McCartney.
E' forse l'unico nei confronti del quale provo timore riverenziale. Vorrei quasi che avesse lasciato la scena ride. Ballate veloci, ballate lente, canzoni in dodici battute in chiave minore, canzoni in dodici battute in chiave maggiore, pezzi in dodici battute che differiscono notevolmente in quanto a dinamica del ritmo. Tutto questo ha conseguenze sul testo, sul modo in cui canto le liriche, sul fatto che le cambio sera dopo sera.
Non credi che la gente venga al concerto e voglia ascoltare la versione originale, quella molto triste? A meno che non si tratti di qualcuno che ha comprato quel disco nel sessanta e quel che era. Ma si tratta sempre della stessa canzone, ed io sono sempre la stessa persona. Quelle prime canzoni le ho scritte e cantate solo con la chitarra acustica. La canzone, poi, la sviluppano in un secondo tempo In origine era una canzone dannata e triste Ogni giorno ha un colore differente, ogni giorno viene governato da un pianeta differente. E' un dato di fatto. Chiedilo a qualunque astrologo..
Bob Dylan al Pala Isozaki: quando il diritto d'autore viola il diritto di memoria. Nuovo flash in diretta da Giulia Rabbit al seguito di Bob in tour: sapete che Bob ha un anello con brillante alla mano sinistra? E' la prima volta che glielo vedo DJ Bob Dylan rinnova il contratto - Bob Dylan, esaurita la prima stagione ai microfoni dell'emittente radiofonica statunitense XM, ha deciso di rinnovare il contratto. Scandicci: La Nuova Italia, Europe: A Nietzschean Perspective. Per Ignazio Silone. Firenze: Polistampa, Fortini, Franco. Verifica dei poteri.
Scritti di critica e di istituzioni Bellini, Davide. Dalla tragedia alla biblioteca. Le poetiche e la letterarie. Pisa: ETS, Suzanne Dingee and Jennifer Pudney. Madison: nazione. Palermo: duepunti edizioni, The University of Wisconsin Press, Grewe, Andrea, a cura di. Berlin: Erich Schmidt, Benda, Julien.
Paris: Gallimard, Bobbio, Norberto. La della resistenza. Il Manifesto corrispondenza Parisot-Savinio Palermo: Sellerio, di Ventotene. Buttier, Rosanna. Savinio giornalista. Itinerario bibliografico. Roma: Italia, Paola. Il pellegrino appassionato. Savinio scrittore Bulzoni, Palermo: Sellerio, Cacciari, Massimo.
Milano: Adelphi, Malaparte, Curzio. Per un profilo di Firenze: Vallecchi, Alberto Savinio. Roma: Bulzoni, Edda Ronchi Suckert. Firenze: Ponte delle Camon, Ferdinando, Il mestiere di poeta. Milano: Lerici, Grazie, Monastra, Rosa Maria. A cura di Fernando Gioviale. Firenze: Olschki, Lecce: Milella, Cirillo, Silvana.
Le molte facce di un artista di genio. Montale, Eugenio. Gianfranco Contini. Contini, Gianfranco. Dove va la cultura europea? Relazione sulle Il secondo mestiere. Prose A cura di G. Macerata: Quodlibet, Milano: Mondadori. Dainotto, Roberto. Europe In Theory.
Durham: Duke University Nietzsche, Friedrich. Ferruccio Press, Mauro Maggiorani e Paolo Ferrari. La gaia scienza. Ferruccio Masini. Milano, Adelphi, Parisot, Henri, e Alberto Savinio. La Tordi Castria, Rosita. Savinio, Italo Calvino, Giacomo Debenedetti. Roma: Bulzoni, Piredda, Patrizia. Oxford: Peter Lang, Savinio, Alberto. Alcesti di Samuele e atti unici. A cura di Alessandro Tinterri. A cura di Alessandro Tinterri e Paola Italia. Hermaphrodito e altri romanzi. Narrate, uomini, la vostra storia. Nuova enciclopedia. Archivio Contemporaneo Alessandro Bonsanti.
Arte e storia moderna. Scritti dispersi A cura di Paola Italia. Torre di guardia. A cura di Leonardo Sciascia. Sciascia, Leonardo. Secchieri, Filippo. Studi su Alberto Savinio. Firenze: Le Lettere, Sereni, Vittorio. A cura di Dante Isella. Taine, Hyppolite. Testimonianze e documenti Io sono a terra!!! In modo angoscioso!!!
Proprio ieri ero a Roma ho fatto istanza a Tosti al Ministero per un sussidio pronto immediato e adeguato!! Ma vedi di chiamarmi alla tua segreteria! Ti prego! Ti abbraccio tuo aff. Salvatore Maraffa Abate was a journalist, a poet, an entrepreneur, a publicist and sometime publisher. He deliberate moves aimed at professional and personal survival, or were moved from his native Palermo to Messina, Genova, Milan, Rome, they also the result of a true intellectual and political metamorphosis? But, as we know, history has not been generous Paul Corner and other contemporary scholars have already underlined with minor figures and Maraffa is not an exception.
His profits from his understated new post-war life. And yet, In December , Maraffa issued his first notable magazine, Flirt. Flirt was the ideal mirror of the Sicilian osservare che… egli dimenticava gli indifferenti e i disillusi. Similarly, in her recent I redenti. Gli intellettuali che vissero due Flirt was not a political publication.
It contained poetry, volte. La rivisitazione delle vicende degli uomini che vissero una to women writers10 and its dynamic Direttore, Maraffa Abate, often duplice esistenza provoca accesi dibattiti. Moreover, we should not forget that it could not ignore the power of the new bourgeoisie. Openly obsequious to the fascist regime, as its name suggests, Italia But times were changing and soon the economic power of the fascista tried hard a little too hard, at times to balance itself between Florios in Sicily would come to an end. Around , Maraffa left a servile and an extremely patriotic attitude towards the autarchic Palermo and headed north, to Genoa and Milan and, eventually, to Rome.
From time to sort of periodical, a clever mix of cosmopolitism, patriotism, and time, Italia fascista presented its readers with more artistic content, politics. Futurism and its main features modernity, weighted down by an abundance of percentages and other figures, a energy, innovation and, later, fascism seduced the restless Maraffa telling sign of a too obvious deferential attitude towards the regime. If and contributed to his radical transformation into a militant journalist.
It also meant leaving his trademark notion of a literary particular region or city of the empire where fascist enterprises were and cultural magazine.
The years immediately following World War I particularly successful. One of his periodicals, started turning its gaze inwards. By the early s, in the last desperate moments of activities around the world. With had already appeared in print, as a pamphlet, the previous fall, but the regards to his choice of pseudonym, Flirt readers would remember founder of Futurism allowed Maraffa to publish it as well, an important that Maraffa had been using this pen name for decades. Unfortunately gift for a struggling publication like Italia fascista.
On 21 July , Maraffa celebratory. Maraffa Abate. Incidentally, this initiative aroused offense in the foreword of one of his collections of poetry, Chiarezze: the spirited reaction of Avanti! Ma questi giornalisti sono davvero inesauribili nello aspirare e Comm. Umberto Bottone. Why would the Ente Stampa and the Ministry not use his commitment for its own purposes? Since the fascist press was In , Maraffa was already a Mussolini supporter and more heavily controlled beginning in year of the foundation of the than once defined himself a Sansepolcrista.
It was not the case. On the contrary, the Min. Cultura Popolare. Overall, between and , Maraffa received A poet since the Flirt years, Maraffa wrote a number of openly philo- more than fifty thousand Lire Ministero della Cultura Popolare n. Among them, Aquile di Roma and La pelle del He was not alone: this behavior was part of a widespread attitude, serpente Not a young age, especially for richieste e quindi su lettere di ringraziamenti di prammatica in someone plagued by professional and personal troubles.
Polizia Politica, Report on Maraffa, Savagnone. They had two daughters, bound to become well-known 6 September doppiatrici: Rita and Deddi Savagnone. As del Maraffa che se ne serve per ricevere contributi finanziari; Philip Morgan noted: essa ha scarsa importanza culturale.
It was during this period that many Italian 12 September , the Germans had freed Mussolini and had put intellectuals who were active under the regime started on the thorny him at the head of the short-lived new republic. Like Maraffa, people path that would take them through the end of the war and beyond. Like who had been professional and financial profiteers during the previous Maraffa, many successful figures quietly sailed through this delicate regime must have taken it as a sign that the old ways could resume.
The publishing press was not immune to this memory loss: in the It was not meant to be. Mussolini: Maraffa depicts himself not like an exploiter of fascist politics and Proveniente dai Fasci Rivoluzionari Interventisti di Milano. It would — Milano P. Curriculum Vitae his letter to Mezzasoma, and the move to Venice meant that his archive was lost. It is hard to say whether Maraffa had actually been at risk. In the post-war years, this proud fascist biography is excised, leaving Some philo-fascist intellectuals were imprisoned and tried. He followed many others on the prescrizione.
A small price to pay, all things considered. On the contrary, it resumed vigorously, ardua purezza lirica, non abbiano accanto alle poesie, manifestato propelled by a new-found energy: il loro principio politico e non abbiano come cittadini partecipato alla vicenda sociale. The period immediately after liberation in saw a mushrooming Per trovare poeti che si dichiarano indifferenti alla vita politica, of small publishing houses, some of which survived for only a … bisogna giungere ai minori poeti del romanticismo e del few months, and an increase in book production, despite residual decadentismo.
Ma, appunto, si tratta di poeti minori: di superuomini paper shortages. At the same time some existing publishers sought che, di fatto, non erano ancora divenuti uomini. XIV—XV to take advantage both of the market opportunities and of the chance for cultural renewal opened up by the liberation. Gundle In the past several years, historians and literary critics tackled and Forgacs the question of Italian intellectuals and their relationship with fascism, but a lot of work still needs to be done on the so-called minor or marginal However, in spite of his efforts, Maraffa did not manage to figures and their participation in the fascist propaganda machine.
While the Min. This is a sign that, while not openly ENDNOTES promoting it, the ministry did benefit from these apparently irrelevant characters and from their unauthorized propaganda. Italiana per i suoi meriti di giornalista. Later, in Rome, In the early s, Sebastiano Munzone published an he published his own works under the Italia Fascista Editrice label.
See Cristina anthology of Sicilian poets. Soltanto per la insistenza di alcuni editori ha raccolto Viator dolente la sua opera poetica riunita in tre volumi: Ombre, silenzi, armonie con illustrazioni nuovo Israele errante sempre inquieto di Servolini poesie ; Riflessi, Chiarezze poesie. Corselli dal titolo I nostri Capi.
Mangano sent the Duce her article together with a request for a meeting. However, before this little setback, Mangano, like Maraffa, passatista. Cosa debbo fare? Ti prego di agire fulmineamente Cesare. Ti abbraccio con grande affetto, Tuo aff. The letter is written on Italia fascista reviews in this particular issue. But there are some short reviews of operas and films stationery. Vogliate Esperia, contiene la Poesia dei tecnicismi. Proveniente dal Gruppo Nazionalista Giovanile di Genova.
Aderente alla storica continued its irregular publication until By then, Maraffa had almost completely adunata 23 Marzo — Milano P. Polizia — Archivio Centrale dello Stato. MS and TS. Bruno Maraffa in Rome: Mondadori, Claudio Fogu. Durham: Duke University Press, Bloomington, Indiana University Press, Forno, Mario. Soveria Mannelli: Rubbettino, Gaeta, Giuliano. Storia del giornalismo. Milan: Vallardi, Gragnani, Cristina. Flirt rivista di splendore Bernabei, Gilberto. Note to Salvatore Maraffa Abate.
Ann H. Popolare, Busta , n. Caesar, Gabriella Romani, and Jennifer Burns.
Oxford: Legenda, Buttafuoco, Pietrangelo. Il foglio 12 November : n. Web source. Estudios Italianos, Nov. Candela, Simone. I Florio. Lengua, Ideas, Literatura. Mariapia Lamberti, Franca Bizzoni. Castronovo, Valerio. Hainsworth, Peter. Rome: Cenacolo, Ciuni, Roberto. Palermo: Il Punto, Contorbia, Franco. Giornalismo italiano. Isnenghi, Mario. Florence: Giunti, Archivio Centrale dello Italy. Oxford: Oxford University Press, Busta , fasc. Problemi di estetica. Mangano, Lori. Letter to Benedetta Cappa. Filippo Di Dino, Chiara. Box 13, n. Fenzi Viziano, Teresa. Rome: Bulzoni, Letter to Nicola De Cesare, 26 September Archivio Passerini, Luisa.
Fascism in Popular Memory. The Cultural Experience Centrale dello Stato. Cambridge: Cambridge University Corrispondenza Ordinaria]. Press, Requirez, Salvatore. Casa Florio. Palermo: Flaccovio, Maraffa Abate, Salvatore Leodalba. Aquile di Roma. Bibliografia del futurismo: Rome: Biblioteca del Vascello, Rome: Italia Fascista Editrice, Salvo, Carmen. Curriculum vitae. Segreteria Particolare del Duce, quaderni del meridione 87—88 : — Corrispondenza Ordinaria.
Savini, Marta. Riviste ottocentesche e storia della critica. Rome: Serio, Ettore. La vita quotidiana a Palermo ai tempi del Gattopardo. Letter to F. Filippo Tommaso Marinetti Milan: Rizzoli, Serri, Mirella. I redenti. Gli intellettuali che vissero due volte. Letter to Fernando Mezzasoma. Archivio Milan: Corbaccio, Centrale dello Stato.
Ministero della Cultura Popolare. Busta , Serrati, Giacinto Menotti. Archivio Centrale dello Sturzo, Luigi. I mali della politica italiana: pensieri liberali. Rome: Armando Editore, Taccari, Mario. Caltanissetta: S. Sciascia, La pelle del serpente. Tronfi, Lorenzo. Il Primato di Giuseppe Bottai: cultura e politica Enna: Moderna Edizioni, Palermo: Tip. Ausonia, Marinetti, Filippo Tommaso. Italia fascista Munzone, Sebastiano, ed. Catania: Unica, Morgan, Philip. The fall of Mussolini. Italy, the Italians and the Second World War.
March Introduction Scholarly studies have often discussed the huge impact of the film Casablanca WB, , directed by Michael Curtiz and produced by Hal Wallis on American media and popular culture. Many critics have attempted to explain why the film continues to be regarded as one of the most iconic and celebrated Hollywood films of all times.
Italian viewers, on the other hand, will most probably be familiar with these lines in their corresponding Italian translation, given that Casablanca has, since its first distribution in Italy in , received theatrical and television release in its dubbed version. We shall also see that, although not so intuitively, when the film and joined her husband Laszlo, whom she had believed to be dead, was finally ready to be released in early , its edition would be without having the chance to explain to Rick the reasons behind her considerably affected by the legacy of Fascism; this in spite of Italy painful decision.
After a series of political gambles with the French being, at that point, a democracy allied with the US. To illustrate this and German police, Rick i. It was in , in fact, even before Casablanca was produced, escape from the menace of the Nazis in Europe find temporary refuge that Warner Bros abandoned the Italian market as a result of the in unoccupied French Morocco.
Let us take a step back to observe what happened to the to wait there until the war ends. Yet there are people in Casablanca distribution of American films in Italy during these critical years. Will the seemingly cynical and selfish on foreign film distribution. A significant European Resistance, a clandestine movement fighting against the Axis number of foreign films by small US companies such as Monogram, powers. As the story unfolds, a few flashbacks reveal that some years Republic, and Grand National would still circulate in Italian cinemas earlier, in German-occupied Paris, Ilsa and Rick had had a romantic after the withdrawal of the Big Four.
Moreover, from the early onwards various laws were enacted. The political and social unrest in the Italian peninsula caused 4, 5, 9 and both the ban on dubbing foreign films abroad and the by the long years of war, sacrifice, deprivation, foreign occupation, dubbing tax to be paid by film distributors art. Because of their pro-interventionist message against the Axis, least until mid Besides, as far as the Italian case was concerned, at the its establishment in the new Roman headquarters.
Whether under the beginning of the monopoly laws promulgated during Fascism suggestion of the PWB film section or not, Warner Bros seems to have still formally stood in protection of the Italian internal market against been waiting for the Italian political and social waters to settle before American products. Distributors established a Psychological Warfare Branch PWB at the Allied might have also decided to wait for Italian film translators and Headquarters in Rome in the building formerly hosting the Ministry experienced voice-actors to prepare a domesticated dubbed version of Popular Culture MCP.
Consiglio dei Ministri for permission to release Casablanca in the Archival research has documented that, on March , the Italian commercial film circuit. Stone, head of dubbed version was then authorized, obtaining the obligatory nulla the allied military command in Italy, organised a series of important osta on January 10, Importantly for the present discussion, the Admiral insisted regulations on film censorship art.
This decree banned film scenes, facts and subjects: second examination. Otherwise, if the producers or distributors did not agree with the first decision, they could file an appeal and the same film Offensivi del pudore, della morale, del buon costume e della would be reviewed by a second commission. If the second commission pubblica decenza; From the authorization, the the end of the war. A passage from the document reads: customary under the dictatorship both the commissioners working at the film office and those who prepared the Italian versions of foreign Giudizio: Il film raggiunge una efficacia [sic] tensione spettacolare, films, e.
If authorized, the war setting in other words, far from the more crucial battlegrounds film would be distributed in cinemas. In the case of restrictions or of Western Europe. The war was over, Although no document has been found attesting the exact and the fascist regime had been replaced by a democratic political date when the film was translated and re-voiced into Italian, it is very system. However, the personnel of the previous administration were probable that the Italian edition of Casablanca had been prepared largely maintained at the film office. Changes 3. Although there is no official evidence formed mainly by the popular dubbing directors and actors of the s.
Indeed, if the script had been the Italian film industry, and more specifically in the dubbing or post- presented for approval, and a final script re-submitted after being synchronisation sector. The name of the person in charge of preparing the by the distributors to limit expense of money and effort i. However, recent archival research has requirements, which, as discussed above, were the same as those of revealed that Carlo Silva was credited as the dialogue writer in the Instead of that petty charge Italians in the war, and 3 the representation of Italian characters in you have on him, you can get the film.
War crimes b. Below a. The the dialogues in the original version while b. One example in particular is indicative of a moralistic il deserto non occupato. The government, were substituted with a different geographical indication fact that both the re-edited dubbed version and the subtitles do not that wanted to recall the contemporary Chinese Civil War.
In , you in the film, whether used to criticize Nazi-Fascist ideology or to fought in Spain on the Loyalist side. The Fascist captain Tonelli is a background character with 3. Italian characters only few lines of dialogue. The first time the Italian officer appears in the film, he censorship directed at controlling the negative representation of introduces himself with vain pomposity see fig. It is well known that during the s unwelcome representations of Italians in film were denied permits for distribution in Fascist Italy: the American crime films Little Caesar WB, and Scarface UA, are perhaps among the most popular examples of this preventive censorship.
These two characters have short lines of dialogue and must have not been recognised as Italians by either the dubbing personnel or the film commissioners as they do not have an evident Italian connotation or accent in the film. Their lines were therefore translated according to those in the original script. In the film there are two other characters whose Italianness Fig.
While in the original version captain Tonelli switches from speaking 8 Renault scoffs at Tonelli as the latter and the French officer English to Italian, and gives a pompous Fascist salute to the German pass by arguing indistinctly and gesticulating: officer, the Italian script b.
The original passage has been re-inserted in the victory. After this scene, Tonelli is mainly seen fooling around with The second Italian character is the owner of the club The Blue Parrot, Casselle gesticulating and arguing indistinctly anytime they appear on signor Ferrari. Ferrari is renowned in Casablanca for being in charge the scene.
The second appearance made by Tonelli see fig.
He has a monopoly here on the black market. Egli ha quasi tutto il monopolio del Mercato Nero qui. Thank you for the coffee segnore. I shall miss it when we leave Casablanca. The seen adulating any women who passes by a Latin Lover stereotype identity shift also respects quantitative synchronism, that is, each were not already undeniable clues of his Italian characterisation, the dubbed utterance has to contain roughly the same number of syllables final mention of the coffee made by Ilsa 11 leaves no doubt about as the original utterance.
The change purposes. The rewriting and visual censorship discussed in this section with Ferak was probably suggested by the fact that the character wears are quite significant because they are not a reflection of the historical for most of the film a Moroccan Fez hat see fig. Because of this, they were prone to perceive the lo staiter [sic] in divisa fascista. Borrowing with fictional World War II narratives.
Having be modified during the post-production phase. However, this that the American Allies had in the eyes of many Italians. Instead, case is only one of many examples of film censorship directed at the ideological rewriting and censorship of the recent past in the inhibiting the memory of Fascism and of World War II in Italy in the dubbed film is a clear testimony of how Fascist forces were still at post-war period and beyond.
Salerno has directed two documentaries I fuochi e la montagna and Mate y moneda , in addition to numerous video art projects in Argentina and Chile. Via Cantalupo, 11, Torino, Italy Ph. Il film si sviluppa attraverso i racconti e le testimonianze dei protagonisti, ripresi in primo piano, mentre guardano in macchina.
Inoltre tre attori, due italiani e un senegalese, interpretano il ruolo di un operaio ucciso in cantiere. Dying of Work enquires into the construction business in Italy, the workers, and the family members of the victims of work-related deaths. The narration unfolds with the stories and testimonies of these people, filmed in close-up as they drive their cars. In addition, three actors, two Italian and one Senegalese, play the role of a worker who dies on a building site. Le sue opere sono spesso trasmesse dalle reti pubbliche, presentate alla Mostra del Cinema di Venezia e in vari festival.
Ha ricevuto premi in festival nazionali e internazionali. Daniele Segre b. In he founded the I Cammelli production company and in the I Cammelli Scuola video di documentazione sociale, launching dozens of young directors in social audiovisual filmmaking. His works, which are often seen on public TV networks and presented at the Venice Film Festival among others, have earned him numerous national and international awards. He teaches directing Cinema and reality at the Scuola Nazionale di Cinema, Rome, and was codirector of the Bellaria Film Festival over the period to Special Economic Zone e la trasformazione sociale forzata, da un sistema agropastorale a uno industriale.
Testi di Arundhati Roy. The opposition of Singur farmers Bengal, western India against the forced expropriation of their land by the local government acting in the interest of multinationals like Tata Motors and Fiat Auto. The battle story is told by farmers, artists, writers, economists, union leaders, and the men and women directly involved in the contestation.
This film shows the flip side of the Indian economic boom: the creation of special economic zones and the transformation of India from an agropastural to an industrialized society. Texts by Arundhati Roy. Danilo Licciardello b. Since he has conducted video workshops in schools in Rome and collaborated with NGOs on making spots and videos for projects in western Africa. The portrait of a country growing fatter as it devours itself in the uncertain prospect of future development. Life seen as clouds rolling by. Chiesa enlists the help of meteorologist Luca Mercalli and mathematicianmusician Iain McLarty in an unusual presentation that mixes animation and scientific enquiry to describe contemporary society in which job uncertainty, climate change, and energy crisis pose the greatest challenges.
Avevo letto una serie di dichiarazioni di vari artisti, poeti, scrittori che sono passati dalla Liguria. After years of rampant modernization and industrialization, efforts are under way to restore the landscape and to conserve its scenic beauty. Milan, Italy made his directorial debut with the short film Drimage , followed by the award-winning medium-length Paesaggio con figure and Giulia in ottobre I read impressions of various artists, poets, and writers who had passed through Liguria.
Images of Naples and its outlying neighbourhoods of Pianura, Taverna del Re and Monteruscello tell a stark tale of an area on the brink of environmental disaster: mountains of trash, contaminated farmlands, illegal dumping sites, infiltration of dioxin and other poisonous toxins. Ricky Farina earned a degree in philosophy before working as assistant director for Charlie Owens on Nikebe Con il piccolo budget di una produzione totalmente indipendente, siamo arrivati a Napoli, ci siamo lasciati guidare dal caso e dal nostro intuito.
Working on a tiny indie budget, we followed our instincts. Proprio mentre sta per finire la sua giornata e pensa di tornare a casa dove lo aspettano moglie e figlio per festeggiare, il telefono squilla. Autodidatta nelle tecniche di animazione, produce nel 49, il suo primo cortometraggio. La vicenda si sviluppa seguendo il leitmotiv dei missili, ma credo che queste contraddizioni possano riguardare la maggior parte della nostra esistenza. A man works at a missile base.
Suddenly the phone rings; not the office phone but the red one for secret communications. He taught himself animation while working as a product designer and computer graphics lecturer. Produced in , 49 is his first animation film. We also live in a complex society where happiness and anxiety are interwoven. The story is developed using missiles as the motif, but I believe that we can see this type of contradiction exists to a large degree in our own lives.
Gustavo is a farmer. To rid his fields of the caterpillars eating up his crops, he buys a special type of seeds from a slick salesman of an agricultural seed company. The new plants not only keep the bugs away but grow in different shapes and flavours and can only be harvested with the machines made by the company he bought the seeds from. Dopo aver frequentato la Fine Arts Cinema and Audiovisual, ha collaborato con diverse aziende del settore in diversi ruoli: compositing, animazione, grafica e produzione.
Christelle Soutif b. The picture and the stage setting adopt theatrical principles, and the narrative rises to a parabola.
Ha tenuto, inoltre, numerosi corsi di disegno e animazione in Spagna e Germania. It only takes a drop of water to quench the thirst of a lonely flower growing on a parched hillside and to restore it with life and hope. He has tought numerous courses in design and animation in Spain and Germany.
I know it may be difficult Da dove vengo? Che cosa stiamo facendo alla terra? Un viaggio onirico e suggestivo accompagna lo spettatore dentro queste domande, lasciando aperte risposte e soluzioni. Con i suoi lavori tra i quali My Little Prince, The Dream of whale, Blackrainbow ha partecipato a numerosi festival internazionali di animazione. Who are we? What are we doing to the earth? Without growth, the planet soon decays.
So what is growth? How has truth been changed by pollution? How have noise pollution, soil and water contamination, and global warming changed our lives? A fantastic journey that explores these questions and leaves the answers and solutions open. Her works including My Little Prince, The Dream of Whale, Blackrainbow have been screened at numerous international animated film festivals. Penso che si possa riciclare qualsiasi cosa. A chi importa la differenza tra crescita e degrado? I think anything that is dropped in the world can be recycled. So, I wanted to make a film about the environment with the rubbish we create.
Indeed, how many people are concerned about the truth between growth and decay? Insatiable human greed can always become the force that destroys the human heart and nature. And the methods of material civilization must not become a means of menacing nature, animals and human worth.
Qui la giraffa vive emarginata, costretta a fare domanda di asilo, a mangiare cibo per cani. Nessuno le vuole dare un lavoro. All the fresh water in Djambali goes to filling Mr. Fed up with this situation, a giraffe protests and is promptly banned to Mirzapolis, a northern city inhabited by dogs. In Mirzapolis, the giraffe ekes out a marginal existence, has to request asylum and eat dog food. No one will employ him. He eventually gets a job with a landscaping company but finds his asylum request is rejected. In this delicate metaphor, dramatic circumstances are handled with frank simplicity.
Illustrator, graphic designer, and webdesigner, she has also worked as animator on Papillon Mamillon, a Belgian TV show for children. A Giraffe in the Rain is her first film. The contrast between the character and his surroundings is heightened by the rainy atmosphere of the city where he seeks refuge. Il resto del bosco ride. Man mano tutti gli alberi prendono fuoco, in tutta la regione, in tutto lo stato, in tutto il mondo.
Rimane solo una piccola foglia dispersa nello spazio. Che ride. He who Laughs Last… is a sarcastic grotesque on the law of the fittest. Three trees try to put each other in the shade; the smallest gets the least sunlight, and so the other two laugh. They, in turn, are cut down by two lumberjacks, and so the smallest tree laughs. Then it falls the first victim of a forest fire, and so the rest of the forest laughs.
But the forest fire spreads, killing the trees in the area, the country, the world. Then the entire world goes up in flame, leaving a tiny leaf suspended in space. The leaf laughs. Si laurea in regia di spettacoli di marionette e dal realizza cortometraggi, video musicali e serie TV. Miroslav Jovic b. Since he has made short films, music videos, and TV serials.
A un certo punto incontra un orso che lo aiuta nel suo lavoro. Marina Rosset Three brothers live in the clearing of a distant forest. One day, the youngest is sent to gather firewood but is so afraid that he keeps his eyes shut. He then meets a bear who helps him. He meets the bear again but this time… This film is a fable about the man-animal relationship; simple in structure and technique, it carries a subtle yet bitter moral.
Un giorno viene a sapere che i cacciatori stanno per organizzare una battuta contro i suoi amici animali. In the middle of a forest an old forest ranger lives in peace with the other forest animals. One day a hunter arrives and the ranger stages a sham to trick him and save the animals with the help of the Animal Resque Squad. In he founded Animacijas Brigade, an indie company through which he produces animated films. When news arrives that hunters are going to have his friendsanimals hunted, the situation appears hopeless. Gray, inhospitable, dehumanized, yet the world constitutes a unique resource entrusted to our hands: the processes of rampant modernization that have turned our cities into traffic nightmares can still be reversed.
Papiroflexia explains how by drawing inspiration from poetic, dream-like images in a hymn to nature and simplicity. I due sono quindi completamente isolati. A man and his son live atop a pinnacle, once connected to the rest of the world but now destroyed. Completely isolated from society, the father wants to protect his son against outside influence. The author gives us an exquisite metaphor on life. Le Pont, his second film, was made using a more traditional technique. It became clear early on that puppet animation was the best choice for making my second film.
Besides the aesthetic element, many of its aspects were very interesting for the settings I was looking for. I wanted to present a world where man is made from humble, fragile and tangible materials. By representing the human world in its materialistic form, I strengthen its psychological dimension. Riflessione sul difficile rapporto tra natura e uomo, realizzata dal giovane regista Mike Please, per la sua tesi di laurea, basandosi su un utilizzo innovativo della tecnica della stop motion.
Mike Please The long climb to reach a mountain peak, made even more arduous by relentless snowfall. Once at the top, you realize the reward was worth the effort: a breathtaking view of the valley below. But not for long. Civilization will soon grab hold of the last remaining uncontaminated place. In this reflection on the difficult relationship between man and nature, Mike Please, a young director used an innovative stop motion technique for his final year film.
He currently works for Picasso Pictures, an animation film production company. Pisani,12 Milano, Italy Ph. Gianturco, 4 Roma, Italy Ph. Ha esordito alla regia con il reportage per la tv Tapage dans la basse cour Two years in production, shooting locations in 16 countries, different animal species filmed: the bare statistics of Animals in Love, the first documentary film about seduction animal style: techniques, courtship rituals, curiosities from the animal kingdom.
From lions in the savannah, to flamingos, to kangaroos, to bugs. A documentary sui generis that offers an unusual peek into how the birds and the bees really do it. His directorial debut was the TV reportage Tapage dans la basse cour Animals in Love is his first feature film. This movie brings back man to Nature. A nature to which he belongs along other species. Con Sarah Robertson, sua moglie, ha fondato la Arctic Bear Productions che, dal , si occupa di documentare la vita tra i ghiacci polari, collaborando con importanti emittenti televisive quali National Geographic TV e PBS.
Arctic Tale rappresenta il loro esordio sul grande schermo. Arctic Tale is his first feature documentary. Degradation and decline in Campania as told by local residents unable to stop an imminent environmental and economic disaster. Behind the scenes is the camorra, which has shifted its network of business interests to waste management.
Roccadaspide, Salerno directed two short films Ecce Nanni and Pesci Combattenti ; he collaborated on the collective film Checosamanca Though it may seem surreal, the truth is that only six degrees separate our planet from catastrophic climate changes. Proof comes from the Jakobshavn glacier, one of the largest in Greenland: every day it retreats 40 meters, melting at a rate twice that of just a decade ago. DIRECTOR With the help of spectacular footage shot around the world and detailed digital reconstructions that can reproduce the risks lying ahead, Bowman accurately portrays one of the worst threats facing us today: global warming.
His solitude ends when he meets Avoria, the elephant queen, who has recently given birth to two calves with braided tails. Mysteriously widowed, Avoria is courted by dapper Zanco. By a series of misfortunes she is separated from her young.
Leo steps in to take care of them: thus begins his search for legendary Milk Lake, during which he experiences all sorts of incredible adventures. This fable with a happy ending handles the themes of diversity and racism with engaging originality. Different races, inner solitude, social marginalization, thirst for power, and a pair of hungry baby elephants to feed may not seem like topics fit for children […] but the film is actually about the search for a legendary place Milk Lake and the search for love that precludes all prejudices […].
I miei nonni mi lasciavano vagabondare per i boschi, dove un giorno incontrai una volpe. Mi avvicinai e mi misi a osservarla […]. A chance meeting in the pristine forests of Ain, a quick exchange of glances, a kindling of mutual interest that will go far beyond simple curiosity — thus begins the friendship between a little girl and a fox.
In turn, the fox helps the girl find her way out of the forest by night. Their friendship ends when the girl brings the fox into her world, where the fox cannot live confined by civilization and so flees back to the forest. Bourg-en-Bresse, France earned a degree in Ethology at the University of Lyons before working as cameraman on the documentary Der Kongress der Pinguine , filmed in the Antarctic, then as director on Une plage et trop de manchots His more recent works include Des manchots et des hommes , Sous le signe du serpent , and La marcia dei pinguini , which won the Oscar for Best Documentary.
My grandparents let me roam the woods, where one day I saw a fox. I got closer to watch it […]. When it noticed me, it looked me straight in the eye for seconds and then ran away. School kids are increasingly interested in videos as a means of expressing and exploring various realities so the project also includes tutoring at the high schools of Provincia di Torino consisting of theory and practice in the development and production of audiovisuals. A total of 47 videos were entered at the three editions, involving over students who studied issues such as pollution, waste management, improving local land, large-scale works, climate change, etc.
The Valle di Susa, the portal of the Olympic adventure, has to deal with the risks of dioxin and PCB pointed out by environmentalists and citizen committees. Ma cosa sono le diossine? The Lakes of Avigliana have been severely polluted over the years. Today, thanks to the work of the local government and the Park, things have changed immensely. But the major risk remains: human behavior.
The Sacra di San Michele [St. A journey through the history of the Abbey and its relationship to Nature. I In Rivoli a mechanical lift is being built to connect the city center to the Castle in the high town. E le speranze per il futuro di tutti noi. Bakari, a CFI student in Bamako Mali , describes the macroscopic environmental problems of his city…and the hopes for the future of us all.
Dunque i cambiamenti climatici esistono davvero? Che cosa possiamo fare per limitarli? The winter of was the warmest of the past years. So does climate change really exist? And what can we do to curtail it? Una vera e propria strage silenziosa. In Italia ogni anno muoiono circa lavoratori e almeno rimangono invalidi.
Taken together, these factors appear to have made the workplace less safe, and paradoxically so because advanced technologies and specific laws ensuring higher safety standards are in place. There is gathering consensus that preventive interventions and safety measures need to be supported by safety campaigns targeting not only management and workers but society at large.
This section examines the working world, work-related accidents and the close links between work, human rights and the environment in Italy and abroad. Immigrants are twice as often the victim of unsafe conditions as Italians. It appears that on the night of the fire the extinguishers were empty and the alarm telephone was out of order.
Soon after that, five others lost their lives in an accident in Molfetta while cleaning out a sulfur transport tank truck, and six laborers died from accidentally inhaling toxic gases in a tank in Mineo, near Catania. Yet, despite the Turin accident, which shook public opinion and garnered promises to improve work safety, little has been done.
The truth of the recent Italian past could not be but a plurality of truths, coalesced in the plurality of a new political and cultural participation. The name red squill may be reserved for a variety of the plant which has red-tinted flowers instead of the more common white. Hollows knew soft niece. The City of Turin believes in this form of development and is working towards a new urban sustainability while implementing several measures that range from anti-smog provisions to clean energy for heating public buildings, and the acquiring the input needed to have a city built and restructured according the principles of bioconstruction. Rifugge interviste strutturate, proposte dicotomiche e sovrascritture. Due periodo da otto misure, formati da frasi di quattro, da semifrasi di due e da incisi di una.
On average, three work-related deaths occur every day in Italy. Many factories are also laying people off, as told in the German documentary Losers and Winners. In fact, the ThyssenKrupp plant in Turin was being phased out when the accident occurred. The first move by management is to cut wages and start sending out dismissal letters.
Then, workers rights are suspended or curtailed. Working conditions decay, production declines, and incoming supplies of raw materials dwindle. Il restante tempo lo trascorrono in camerate affollatissime dove mangiano e dormono. Non esistono norme sulla salute o sulla sicurezza e tanto meno diritti sindacali e le paghe sono circa di un dollaro al giorno. Off work, they eat and sleep in crowded dormitories. They have no laws to protect their health or safety and no labor unions to defend their rights.
In return for their labor, they receive about a dollar a day. Chan Ka Wai is describing China, but his description applies to similar situations throughout the developing countries where the poor, including children, continue to die for the privileged classes and wealthier countries. Ha diretto, oltre a numerosi spot e video sperimentali, i cortometraggi Workinprogress , Sangue del mio sangue e Ci sono The film is a photograph of a complex, variegated reality little known outside Puglia. Eyewitness testimonies describe a local situation similar to many, many others around Italy.
He worked as art director in web advertising and print media until , when he moved into filmmaking. Besides making commercials and experimental videos, he directed the shorts Workinprogress , Sangue del mio sangue and Ci sono Collecting evidence from various sources, we were able to reconstruct the real portent of the circumstances. Oltre a numerosi spot pubblicitari, ha diretto cortometraggi molto apprezzati dalla critica quali Little Fish e Cade la pioggia ; mentre ha esordito nel lungometraggio con The House is Burning A visual essay on man and work.
From South African mines to Polish shipyards to Moroccan dye-works, glimpses of people at work in a kaleidoscope of faces, hands, and movement. No dialogue; simply images and music; an effective use of rallenty: an engaging reportage and tribute to man and work. Besides numerous commercials he has directed critically acclaimed short films, including Little Fish and Rain is Falling ; The House is Burning was his first feature film.
Orange, New Jersey, the s. The tragic story of a group of young women poisoned by the radium they painted on clock dials at the factory where they worked. Lawrence touchingly retells the grim tale of Grace Fryer, one of the young women who suffered medical injury and legal insult from exposure to the lethal industrial poison. Her case was taken up by the newspapers but later settled out of court.
After earning a degree in graphic design and a masters in illustration and animation at Kingston University, London, Jo Lawrence made her directorial debut with the short animated film Red Thread , followed by and Zeuxis My central aim with Glow was to communicate that same feeling. Angelo, 23, Roma, Italy Ph. The work was presented at the Ambra Jovinelli Theatre of Rome and it was a stirring and original portrayal of contemporary work conditions, a social reality that as disappeared from our collective consciousness in our current day society of intangible work.
Da dieci anni lavora come regista a RaiSat. Luca Nannini was born in Perugia in He has been working as a director at RaiSat for the past 10 years. Among his works are Claudio Abbado, note di un viaggio, an interview-portrait of the conductor and his youth orchestras; Aldo Moro il volto la voce le parole, an investigative documentary made 30 years after the death of the statesman, Le interviste impossibili and Lezioni di storia at the Auditorium Parco della Musica in Rome. Dal lavora come autrice, regista e produttrice, sia in ambito cinematografico che televisivo.
Michael Loeken, nato a Neviges, ha studiato teatro, cinema e tv a Colonia. Nel esordisce con il documentario Ich hatte schon begonnen, die Freiheit zu vergessen. Dal al lavora come sound mixer in produzioni destinate al piccolo e grande schermo, mentre dal scrive, dirige e produce i propri film. The film documents the confrontation between two different work cultures: the self-assumed superiority of the Germans, left to an uncertain future, and the total abnegation and hopes of the Chinese workers. Dortmund, Germany studied theater, film and TV, literature, and art history.
Since she has worked as film and TV writer, director, and producer. She teaches documentary filmmaking at the International Film School, Cologne. Michael Loeken b. His first film was Ich hatte schon begonnen, die Freiheit zu vergessen Between and he worked as sound mixer on TV and film productions; since he has written, directed and produced his own films.
E ancora, la tragica situazione del villaggio di Bakary Fofana, al confine tra Mali e Mauritania, dove la desertificazione continua a avanzare. Attualmente vive in Zambia. The lessons of immigration explained in three stories of hope deluded: illegal seasonal farmworkers hired under miserable living and working conditions for the tomato harvest in Almeria, Spain; Adam, who left the Ivory Coast and crossed the deserts of Mauritania and Morocco, heading toward the border with Spain where, like thousands of others, he tries to escape the attempts of the Moroccan police to repatriate him; the tragic situation of Bakary Fofana, a village on the border between Mali and Mauritania, where desertification is steadily advancing.
She currently lives in Zambia. When trying to find a way to make a film about that, I found an article about Spanish tomatoes, and the people who harvest them. Reading the article started a journey to see the people who harvest the tomatoes […]. We ended up in a small village in Mali […]. And we met people who left their homes and all their loved ones to find a better life - and to make life better for those who were left behind. China Ph. Bearing the consequences is its rural population whose traditional structure is ill suited to absorb the shock of rapid transformation.
Du Haibin tells five different stories of farmers trying to cope with the impact of globalization and of how it is threatening to erase the vestiges of rural life and its centuries-long traditions. Ha lavorato come cameraman, montatore, direttore della fotografia e videomaker per il cinema, la televisione Rai, Mediaset e La7 e per Medici Senza Frontiere, per cui sta attualmente curando la post-produzione di due reportage realizzati in Sierra Leone e a Lampedusa.
A report about seasonal immigrant farmworkers and the working conditions they endure during the tomato crop harvest: poorly housed out in the sun-burnt fields, without sufficient hygienic facilities, underpaid and exploited by slave-driver employers. With this film I tried to portray a part of this reality, without polemics or sensationalism. The topic of accident-related death rendered in sung narrative: with Stasera torno prima, singersongwriter Mariella Nava denounces the absurdity of accident-related death deaths in alone due to inadequate safety precautions and negligent attitudes toward safety regulations, accompanied by images from the video clip Libero De Rienzo directed for the National Association of Work Accident Victims ANMIL , with the patronage of the president of the Republic and the patronage of the RAI social secretariat.
Ha esordito alla regia con Sangue - La morte non esiste Libero Di Rienzo b. His directorial debut film was Sangue - La morte non esiste ThyssenKrupp Blues racconta una storia di solitudine e di abbandono che ci riguarda. He had moved here from southern Italy to become a theater actor and ended up working at this Turin steel mill, sadly known by many due to recent coverage in the news.
The workers there were constantly in fear of cutbacks, layoffs. They were always coping with deplorable substandard work conditions, unbearable shifts and a total lack of safety. Pietro Balla and Monica Repetto tell the bitter story of the unsafe work conditions and the anger and frustration of the leading character.
The story ends up being one of the most horrible work-related tragedies of the past several years. It is the story of solitude and neglect that involves all of us. Da questa indagine emerge un quadro ricco di ombre, in cui segregazione e sfruttamento rappresentano i maggiori problemi per molte donne che, giunte nel nostro paese in cerca di una vita migliore, si vedono negare ogni diritto, proprio in una terra con una lunga storia di emigrazione alle spalle.
Immigration issues in Salento as discussed in Naemi, a Lecce-based forum of local and immigrant women for the promotion of intercultural exchange and social integration. Emerging from this enquiry is a variegated picture of the segregation and exploitation many women experience after their arrival in Italy in search of a better life but find their rights denied in an area of the country that itself has a long history of emigration. I diritti umani vengono calpestati da governi, imprese economiche e gruppi armati in molti paesi.
These words open the preamble of the Universal Declaration of Human Rights, by which by the international community acknowledged the need for a multilateral system of global values based on equality, justice and the rule of law on 10 December Sixty years later the ideals and principles of justice and equality declared in the Declaration and the fundamental liberties endorsed by it are not yet a reality for everyone.
Human rights are trodden upon by governments, economic enterprises and armed groups in many countries. We cannot deny that progress has been made in the development of standards, systems and institutions for human rights internationally as well as regionally and nationally that has improved the situation in many parts of the world.
However, all too often governments lack the political determination needed to implement these international laws which they themselves have accepted on a voluntary basis. Injustices, inequalities and impunities are still prevalent occurrences in our contemporary world. If we look at the Articles of the Declaration and assess their actual enforcement, we see a desolating picture: torture, discrimination against the more vulnerable communities, violence against women and children, the death penalty, the repression of civil liberties, the denial of the right to health, food, water and adequate housing are a demonstration that governments are not respecting human rights.
This year China, in the spotlight of the Olympics in Beijing, not only failed to honor the promise it made to the International Olympics Committee to improve human rights, but during the lead-up to the Games the situation clearly deteriorated. The same applies to the Autonomous Region of Tibet, where for years the Chinese government has seriously limited the freedoms of religion, expression and association of Tibetans.
Demonstrators there were dramatically repressed during the few months right before the Olympics.